headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

7
Greatest Story Ever Told
June 30, 1973
Universal Amphitheatre

Top notch version. Builds and builds and builds.
7
Jack Straw
June 30, 1973
Universal Amphitheatre

Unique version from an excellent show. Has a different groove to it from other JSs from the era. Several listens and it still stands out.
3
Tennessee Jed
June 30, 1973
Universal Amphitheatre

Tight and groovy - doesn't drag ass at all. Great show in all directions.
20
China Cat Sunflower -> I Know You Rider
Nov. 25, 1973
Feyline Field

Beautiful. One of those rare gems where the Rider seems altogether tighter than the China Cat. What more can a head want?
19
China Cat Sunflower -> I Know You Rider
June 26, 1973
Seattle Center Coliseum

Super mellow and smooth, understated grace - like the rest of the first set here - and one cool '73 beauty of a transition to Rider. Overlooked!
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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