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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49777


Submissions

8
Mississippi Halfstep Uptown Toodeloo
Feb. 21, 1973
Assembly Hall, University Of Illinois

First Half Step of '73 and they get it perfect. A hidden gem in an often-overlooked show.
3
Row Jimmy
Feb. 21, 1973
Assembly Hall, University Of Illinois

From a show lost between the great greats of Feb. '73, this song shines brightly. Great for Row Jimmy fans.
20
China Cat Sunflower -> I Know You Rider
Feb. 17, 1973
St. Paul Auditorium

Seemless out of a perfect Here Comes Sunshine. Epic flow, up-tempo, great sounding and flawless jams. What more can a Head need?
4
Row Jimmy
Feb. 17, 1973
St. Paul Auditorium

A sweet, crystal clear version (3rd performance ever). Beautiful Bobby behind Jer's strong vocal, even Donna's great. Unfortunate cut around 6:00.
5
Truckin'
Feb. 17, 1973
St. Paul Auditorium

Just beautiful 2nd set opener. This show doesn't get the attention it deserves! Solid jamming.

Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.