headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49777


Submissions

9
New Potato Caboose
Dec. 7, 1968
Bellarmine College

Long crystal clear Jerry solos throughout and a great recording for '68. Gets tighter throughout the jam.
9
The Other One
Dec. 7, 1968
Bellarmine College

Fast, reckless, and smokin' hot. A must have for fans of '68 and all its psychedelic glory. Goes into a nice best New Potato Caboose too.
9
Dark Star
Dec. 7, 1968
Bellarmine College

Succinct and powerful. A nice '68 set starting (!) with Dark Star and Stephen. Mellow.
74
Playin' In The Band
June 22, 1973
Pacific Coliseum

Great extended spacey jam. Check out around 05:10 - 05:40 for what sounds impossibly like a FTM tease. PHIL !
9
Dancin' in the Streets
Dec. 31, 1971
Winterland Arena

Jerry's on fire in this show opener. Not my favorite song, but just a rippin' version here. Wish I could have been there....

Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.