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Carrion_Crow

Stealth Head

+47945


Submissions

9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
2
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.

Comments

Caution
Jan. 8, 1966
Fillmore Auditorium

Rippin' and trippin'. It's messy, wild and reckless.... with an edge-of-chaos intensity that can still blow your mind almost 54 years later. ^^Very cool note there about a possible influence on Tom Waits. No doubt about it, he surely heard the Dead in California in their early years. Cool association.
Can't Come Down
Nov. 3, 1965
Golden State Studios

Bob Dylan's influence on the Dead is evident from the lyrics and delivery of this oldest of the old demos. Harmonica, snarling vocals, proto-punk social commentary of the Highway 61-era. Anyone out there think they started listening to Dylan in the 90s???
Uncle John's Band
Dec. 31, 1976
Cow Palace

The first one in over two years, covering both the hiatus and all of '76. They sound just a wee bit tuckered out in the first moments (this being at leat 4 full hours of music into the night) but they rock the ever-lovin' shit out of it by the end in a 'here comes '77' way that jut slays me.
Help on the Way
Dec. 31, 1976
Cow Palace

Best Help>Slip without Frank out there. Prove me wrong!
Scarlet Begonias
Dec. 31, 1976
Cow Palace

Phil's running counterpoint to Jerry throughout the long jam is a masterclass on its own. Love the deconstruction of the outro theme before the finally land on it and come together like presto! hop! magic. As much as I loved Scarlet>Fire, I treasure the solo Scarlets too.