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Carrion_Crow

Stealth Head

+49677


Submissions

2
Candyman
July 30, 1970
The Matrix

Mysterious beauty under the B- sound quality (Phil sounds kinda like a tuba, which is cool). Beautiful vocal harmonies and break in the middle.
9
Truckin'
Aug. 24, 1972
Berkeley Community Theatre

Massive driving groove leading straight into one of the top DS of all time. My ears hear a flirt with NFBM jam that never quite hatches.
16
Uncle John's Band
June 30, 1974
Civic Center

Sweetness and light insight a wickedly melting Playin' sandwich. Pretty, gentle harmonies found somewhere out there the deep dark chaos. Tight sound.
8
Truckin'
June 30, 1974
Civic Center

Long exploratory solos, smouldering jams, cool interplay. Won't blow you off your chair but very inventive and interesting.
7
Space
June 30, 1974
Civic Center

Seastones: Completely wild and rises to a freaky climax. May cause brain blisters. Not for children.

Comments

Estimated Prophet
March 18, 1977
Winterland Arena

Really underrated. This one hits all the high-points, but also shows how much innovation and work they were putting into it. Lots of new effects, echo, and spooky outre weirdness that emphasize how cracked-up the protagonist in the song is. Was it already Dan working the board at this point? Anyone know?
Brown Eyed Women
March 18, 1977
Winterland Arena

Overlooked. This is a brilliant version.
Sugaree
March 18, 1977
Winterland Arena

Keith is glorious throughout this beauty. I'll admit when I see a 14 minute Sugaree there's a part of me that says 'uh-oh, hope it doesn't drag....' But this is just pristine throughout: Hot jams, clear ideas and solos, with mindbending guitar effects that think are the first-ever for their kind. And that Godchaux fella tickling the keys. Nice one!
Its All Over Now
March 18, 1977
Winterland Arena

After two shaky songs to start the first set Bobby comes steaming in with this beauty.
Morning Dew
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

For any era for Morning Dews this is top shelf. Drops on the heads out of nowhere, capping off a good - but not necessarily great - 2nd set.