headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

4
Ain't It Crazy (The Rub)
July 12, 1970
Fillmore East

A mellow acoustic version unlike any I the others more known for being uptempo and somewhat aggressive. A rare treat.
2
Not Fade Away
July 11, 1970
Fillmore East

Vast and expansive, with hints of Mountain Jam peppered throughout and a brilliant tug-of-war over whether to go into TOO. Needs a cleanup.
2
Cold Jordan
July 11, 1970
Fillmore East

Sounds like Dave and Marmaduke came out mid-song to warm up for the NRPS set. Don't like acoustic AUD, don't bother. Like it? Oh baby, it's good.
1
Rosalie McFall
July 11, 1970
Fillmore East

First ever, and with 45 years between us and then, it's like a sweet whisper in AUD beauty. Real stuff here.
4
New Speedway Boogie
July 11, 1970
Fillmore East

Superb, a distant reach-out from the AUDmurk of time. A special treat here.
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Comments

Estimated Prophet
March 18, 1977
Winterland Arena

Really underrated. This one hits all the high-points, but also shows how much innovation and work they were putting into it. Lots of new effects, echo, and spooky outre weirdness that emphasize how cracked-up the protagonist in the song is. Was it already Dan working the board at this point? Anyone know?
Brown Eyed Women
March 18, 1977
Winterland Arena

Overlooked. This is a brilliant version.
Sugaree
March 18, 1977
Winterland Arena

Keith is glorious throughout this beauty. I'll admit when I see a 14 minute Sugaree there's a part of me that says 'uh-oh, hope it doesn't drag....' But this is just pristine throughout: Hot jams, clear ideas and solos, with mindbending guitar effects that think are the first-ever for their kind. And that Godchaux fella tickling the keys. Nice one!
Its All Over Now
March 18, 1977
Winterland Arena

After two shaky songs to start the first set Bobby comes steaming in with this beauty.
Morning Dew
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

For any era for Morning Dews this is top shelf. Drops on the heads out of nowhere, capping off a good - but not necessarily great - 2nd set.
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