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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Dark Star
Feb. 18, 1971
Capitol Theater

Music to practice levitation to. Also the best damn Rat Sandwich you'll probably ever eat.
St. Stephen
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

The 'bell-ringing' chimes section of the last solo before the out-chorus is top notch, but this one otherwise drags a bit to start.
The Music Never Stopped
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

This should be higher. Jerry pushes it harder and harder, never quite tipping it over to the breaking point. The crowd got a sweet treat here. Donna's in tune and well mixed, harmonizing nicely, and the Devils are just perfectly octopusical.
Scarlet Begonias
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

A beacon, signalling to all who are ready to receive it: This is the '77 Dead. Simply a perfect, beautiful and deep performance of a song that grooves and grooves and grooves, but that also has a bit of wisdom to it too. "Once in a while...."
Good Lovin'
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Y'all got to hear this in context. They were still just bringing it out and re-crafting it after the Pigpen era. It wasn't the staple it became of 80s and 90s Dead, but probably seemed like a novelty for the old heads at the time. In any case, it rocks, and Donna sounds sweet behind Bobby's confident swagger.
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