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Carrion_Crow

Stealth Head

+49742


Submissions

6
Mississippi Halfstep Uptown Toodeloo
July 27, 1973
Grand Prix Racecourse

The boys seem to love playing in unanounced, unstructred jams like this. Freedom reminiscent of some '67-69's but with the '73 songlist.
30
Sugaree
Dec. 16, 1978
Nashville Municipal Auditorium

Rippin' show opener with Bobby twang sliding and a 2nd Jerry solo taking it up and over the top. Plus its Nashville.
5
Big River
July 27, 1973
Grand Prix Racecourse

Turns typical 1st set filler into a great jam. One of Keith's best solos of Summer '73.
13
The Other One
July 1, 1973
Universal Amphitheatre

Cool and fast w/ 12min jam before 1st (and only) verse. At 08:30 Phil goes teases what sounds like Milking the Turkey. Is that possible?
9
Loose Lucy
July 1, 1973
Universal Amphitheatre

A greasy gritty super-funk sex parade. Wasn't often the Dead sounded this horny after Pigpen died.
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Comments

Dark Star
Feb. 18, 1971
Capitol Theater

Music to practice levitation to. Also the best damn Rat Sandwich you'll probably ever eat.
St. Stephen
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

The 'bell-ringing' chimes section of the last solo before the out-chorus is top notch, but this one otherwise drags a bit to start.
The Music Never Stopped
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

This should be higher. Jerry pushes it harder and harder, never quite tipping it over to the breaking point. The crowd got a sweet treat here. Donna's in tune and well mixed, harmonizing nicely, and the Devils are just perfectly octopusical.
Scarlet Begonias
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

A beacon, signalling to all who are ready to receive it: This is the '77 Dead. Simply a perfect, beautiful and deep performance of a song that grooves and grooves and grooves, but that also has a bit of wisdom to it too. "Once in a while...."
Good Lovin'
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Y'all got to hear this in context. They were still just bringing it out and re-crafting it after the Pigpen era. It wasn't the staple it became of 80s and 90s Dead, but probably seemed like a novelty for the old heads at the time. In any case, it rocks, and Donna sounds sweet behind Bobby's confident swagger.
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