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Carrion_Crow

Stealth Head

+49642


Submissions

7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.

Comments

Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
Viola Lee Blues
Dec. 1, 1966
Studio demo

Definitely shows the progress they were making towards the Anthem era of deep deep psychedelic group-mind.
Cold Rain and Snow
Dec. 1, 1966
Studio demo

The dates may be dubious, but the playing isn't. This rocks. Check out Phil throwing bombs, way back in '66.
Good Morning Little Schoolgirl
Nov. 29, 1966
The Matrix

Pretty much a pimp anthem at this point. This one is dirty... and an amazing statement from '66 about where they'd go with Pig in the lead for the next five years.
Early Morning Rain
Nov. 29, 1966
The Matrix

Ultra-rarity and so much fun. What a treat.