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Carrion_Crow

Stealth Head

+49652


Submissions

7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
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Comments

Midnight Hour
Sept. 16, 1966
Avalon Ballroom

This is probably the first recording of Pigpen-as-life-coach, rapping about just what to do and just how to do it.
Dancin' in the Streets
Sept. 16, 1966
Avalon Ballroom

This is one of the '66 gems that start to show just what they could do in an extended jam. It's only about six minutes, but goddamn, it covers a lot of ground. Can you imagine the completely baffled A&R men at this point with absolutely no idea how to package and re-sell them... and then the funny coffee kicks in and the '60s happen.
I Know You Rider
Sept. 16, 1966
Avalon Ballroom

Do my ears deceive me or is Pigpen part of the ensemble vocals? That would be a rare thing indeed. I love the Nashville/Bakersfield sound here to this arrangement and Jerry is just brilliant throughout.
Viola Lee Blues
July 29, 1966
P.N.E. Garden Auditorium

Was there anyone else on the scene extending jams like this in '66? Even aside from the Acid Tests and the psychedelic pop, they were so freakin' on at this point.
I Know You Rider
July 29, 1966
P.N.E. Garden Auditorium

Plus one for "jitterbug". So right!
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