headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.
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Comments

Cream Puff War
July 29, 1966
P.N.E. Garden Auditorium

Truly fantastic indeed. You can fully hear how they ripped Caution out of Cream Puff War in the years ahead. Also: Billy is a goddamned monster on this.
Sitting on Top of the World
July 29, 1966
P.N.E. Garden Auditorium

Completely bonkers. Sounds like ten-thousand rubber pingpong balls shot through a particle accelerator.
Cream Puff War
July 17, 1966
Fillmore Auditorium

There's some debate about the dates and tapes in the different Archive and Setlists.net listings. Some claim that this is actually the set from 16th, but this is undoubtedly a different version than the one played on the 16th... for starters it's a full minute and a half shorter. Of the two the 16th is better in my opinion: tighter and more expansive, showing off the how they could be wild, muscular, dangerous, and virtuoso. Great to have this record of them both today. Enjoy!
Dancin' in the Streets
July 16, 1966
Fillmore Auditorium

The tension between their melody-solo-melody format on the psychedelic pop songs and their need to stretch-out the forms into longer jams is present throughout this show. The Viola Lee, the Cream Puff War, and especially this Dancin' are already going way further out.
Cold Rain and Snow
July 16, 1966
Fillmore Auditorium

S p e e d y indeed. The whole show has a benzedrine feeling to it.
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