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Carrion_Crow
Stealth Head
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Submissions
4
Sugar Magnolia
May 24, 1972
Strand Lyceum
Man, they're having a blast. Totally firing on all cylinders, and clipping along at 90mph. Great stuff.
2
Tennessee Jed
June 17, 1972
Hollywood Bowl
Solid rockin' version with a cruisin' pulse and tight ensemble playing at high energy.
4
Black Throated Wind
June 17, 1972
Hollywood Bowl
Back from Europe with all the polish and power of a masterpiece: They've perfected the arc and emotional nuance. Miller cleanup is best (duh).
6
Sugar Magnolia
May 23, 1972
Strand Lyceum
Gets pretty hard rock in places. This whole show, actually, has a high voltage rock vibe unlike all others on the tour. Underrated show all round.
10
Big Railroad Blues
May 23, 1972
Strand Lyceum
Utterly gobsmacked that this ain't here yet: It's a furious barnburner. Full of get up and go.
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Comments
I Know You Rider
Feb. 25, 1966
Ivar Theater
You'd almost call this a Phil song at this point in the early history of the band. So cool to hear it in its infancy.
On The Road Again
Feb. 25, 1966
Ivar Theater
Pre-proto-Dead, and so so very cool. There's some debate around the date, but it's on the archive as the Ivar Theater, so what difference does it make! Jerry's voice is soooooo young.
Caution
Jan. 8, 1966
Fillmore Auditorium
Rippin' and trippin'. It's messy, wild and reckless.... with an edge-of-chaos intensity that can still blow your mind almost 54 years later. ^^Very cool note there about a possible influence on Tom Waits. No doubt about it, he surely heard the Dead in California in their early years. Cool association.
Can't Come Down
Nov. 3, 1965
Golden State Studios
Bob Dylan's influence on the Dead is evident from the lyrics and delivery of this oldest of the old demos. Harmonica, snarling vocals, proto-punk social commentary of the Highway 61-era. Anyone out there think they started listening to Dylan in the 90s???
Uncle John's Band
Dec. 31, 1976
Cow Palace
The first one in over two years, covering both the hiatus and all of '76. They sound just a wee bit tuckered out in the first moments (this being at leat 4 full hours of music into the night) but they rock the ever-lovin' shit out of it by the end in a 'here comes '77' way that jut slays me.
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When I Paint My Masterpiece, Crisler Arena, April 6, 1989
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