headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

13
The Other One
Dec. 10, 1971
Fox Theatre

An immortal. Very experimental, so many melodic fragments amongst the splintered cosmos - they pull a surprise out of the hat. Check it out.
13
Sitting on Top of the World
Dec. 10, 1971
Fox Theatre

Buried in the extraterrestrial outer reaches of an immortal TOO this emerges, brings a 'how's they do that?!' vibe then disappears back into chaos.
23
Truckin'
May 7, 1972
Bickershaw Festival

Smokin' hot show opener. The band is ultra tight and kick things off with force.
3
Black Throated Wind
Sept. 20, 1974
Palais Des Sports

Looser than 18.09.74, but more intense in its buildup and climax. Wait for it, it slow-rises then comes on like a tsunami.
14
China Doll
Sept. 18, 1974
Parc des Expositions

Sweet gossamer comedown nicely after the angular intensity of Eyes. Jerry's voice is smooth and lovely.

Comments

Help on the Way
Dec. 31, 1976
Cow Palace

Best Help>Slip without Frank out there. Prove me wrong!
Scarlet Begonias
Dec. 31, 1976
Cow Palace

Phil's running counterpoint to Jerry throughout the long jam is a masterclass on its own. Love the deconstruction of the outro theme before the finally land on it and come together like presto! hop! magic. As much as I loved Scarlet>Fire, I treasure the solo Scarlets too.
Good Lovin'
Dec. 31, 1976
Cow Palace

That's a mysterious little theme they bring in twice, but it doesn't sound that much like the Samson to me. It seems way too precise to be totally spontaneous, as they all land on it both times without a single note or beat a hair out of place. Maybe they were rehearsing a new song or jam that didn't survive into '77? Cool stuff.
Wharf Rat
Dec. 31, 1976
Cow Palace

The transition in from a brilliant Eyes is a thing of pure beauty. Man, could a good sweet Wharf Rat bring you back in to reality when you needed it most, and here everyone is just whispering and cooing into your ears in just the sweet spot. Check out the gentle Donna tones around 5:30 and tell me that wouldn't put peace into your heart? But then of course trickster Jerry comes in with that biting tone (some guitarist out there know what he was using then?) that would tear through the world like a flaming buzzsaw. Great version in a wall-to-wall highlights show.
Eyes Of The World
Dec. 31, 1976
Cow Palace

Fast and precise, with beautiful ensemble playing... but that transition into Wharf Rat is the smoothest just-exactly-perfect thing I've heard. Spectacular transition: Must have pulled a lot of trippin' hippies out of a wild spin and back into the sweet sweet mellow mellow.