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Carrion_Crow

Stealth Head

+49652


Submissions

4
He's Gone
Aug. 12, 1972
Sacramento Memorial Auditorium

Sweet outro on this one. Donna's got the sweet harmony and Phil with the bass vox makes it pretty kind.
3
Me and My Uncle
Aug. 12, 1972
Sacramento Memorial Auditorium

MAMU is so often overlooked, but this one is hiding in plain sight. Hard jumpin' rocker here with a savage pulse, and great banter after.
4
Sugar Magnolia
July 26, 1972
Paramount Theater

After the ultra-outre Dark Star, this pure rock and roll distillate is just perfect goodness. A burner with Billy hard charging in 4-wheel drive.
5
You Win Again
July 26, 1972
Paramount Theater

Note for note perfect. The only reason it isn't here yet is that the shows between Europe and Berkeley/Veneta are too often overlooked.
1
Goin' Down The Road Feelin' Bad
July 25, 1972
Paramount Theater

Possibly the highest energy piece in the whole show. An excellent jam that left the crowd smiling, for certain.
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Comments

Help on the Way
Dec. 31, 1976
Cow Palace

Best Help>Slip without Frank out there. Prove me wrong!
Scarlet Begonias
Dec. 31, 1976
Cow Palace

Phil's running counterpoint to Jerry throughout the long jam is a masterclass on its own. Love the deconstruction of the outro theme before the finally land on it and come together like presto! hop! magic. As much as I loved Scarlet>Fire, I treasure the solo Scarlets too.
Good Lovin'
Dec. 31, 1976
Cow Palace

That's a mysterious little theme they bring in twice, but it doesn't sound that much like the Samson to me. It seems way too precise to be totally spontaneous, as they all land on it both times without a single note or beat a hair out of place. Maybe they were rehearsing a new song or jam that didn't survive into '77? Cool stuff.
Wharf Rat
Dec. 31, 1976
Cow Palace

The transition in from a brilliant Eyes is a thing of pure beauty. Man, could a good sweet Wharf Rat bring you back in to reality when you needed it most, and here everyone is just whispering and cooing into your ears in just the sweet spot. Check out the gentle Donna tones around 5:30 and tell me that wouldn't put peace into your heart? But then of course trickster Jerry comes in with that biting tone (some guitarist out there know what he was using then?) that would tear through the world like a flaming buzzsaw. Great version in a wall-to-wall highlights show.
Eyes Of The World
Dec. 31, 1976
Cow Palace

Fast and precise, with beautiful ensemble playing... but that transition into Wharf Rat is the smoothest just-exactly-perfect thing I've heard. Spectacular transition: Must have pulled a lot of trippin' hippies out of a wild spin and back into the sweet sweet mellow mellow.
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