headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Truckin'
Nov. 12, 1971
San Antonio Civic Auditorium

They come charging out of the gate to open a great, maybe underrated Texas tour. Great opener.
1
Playin' In The Band
Nov. 11, 1971
Atlanta Municipal Auditorium

If you can get past some severe tape wobble and speed issues, the mix is oddly clear and Jerry's ideas are just off the chain. Completists only.
15
Dark Star
Nov. 7, 1971
Harding Theatre

A short but fascinating star, starts way out, filled with melodicism and beauty, almost yearns for the TOO>MAMU to emerge out of it. Give it a chance.
6
Tennessee Jed
Nov. 7, 1971
Harding Theatre

Jerry's Strat sound is so perfect here. This whole show (and the 6th) highlight the sound of this era perfectly.
5
Beat it on Down The Line
Nov. 7, 1971
Harding Theatre

They're having a great time here, you can tell. Even the monitor problems are the source of fun.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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