headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Big Railroad Blues
Oct. 27, 1971
Onondaga War Memorial

A barnburner, charged up and powerful. Nice clear musical ideas throughout the jam.
3
Playin' In The Band
Oct. 27, 1971
Onondaga War Memorial

Like 10.23 this has a burning, agressive quality and hard-driving pulse that gives it huge horsepower. Playin's eternal metamorphosis on display here.
4
Tennessee Jed
Oct. 27, 1971
Onondaga War Memorial

Jerry's soloing throughout this one is fantastic, precise and rockin'.
2
Jack Straw
Oct. 27, 1971
Onondaga War Memorial

Nice version, band kicks into gear and sounds great, ironing out a few kinks in the mix earlier in the set. Early Keith show = dynamite stuff.
9
China Cat Sunflower -> I Know You Rider
Oct. 24, 1971
Easttown Theatre

Overlooked. No peace-and-love version, this is rock and freaking roll. The transition to Ryder is pure shredding genius.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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