headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Playin' In The Band
Aug. 26, 1971
Gaelic Park

At risk of putting all '71 up here. Tell me to stop if too much! I just love the twangy country versions, knowing the evolution in store for it.
12
Wharf Rat
Aug. 23, 1971
Auditorium Theatre

Extremely powerful. Strong vocals, massive sound, tremendous jam, great mix. Coming off 30 minutes of TOO like a parachute from the ionosphere.
3
Bird Song
Aug. 23, 1971
Auditorium Theatre

Intricate zigzagging solo work from Jerry, tight ensemble playing. Doesn't ever "soar" like some of them, but more exploratory and compelling.
3
Casey Jones
Aug. 23, 1971
Auditorium Theatre

They announce the set-break, then decide to blow out the tubes on this one, capping one of the best 1st sets of 1971.
4
Loser
Aug. 23, 1971
Auditorium Theatre

Snarling guitar solo and great organ sound in an excellently mixed (Bobby audible always a plus) SBD. The whole first set is sweet heady goodness.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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