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Carrion_Crow

Stealth Head

+49667


Submissions

5
Bertha
July 31, 1971
Yale Bowl, Yale University

Revs up the rowdy crowd, tight and powerful 2nd set opener in a brilliant show. The AUD is a bit rough in places, but gives it great atmosphere. Hot.
8
Mister Charlie
July 31, 1971
Yale Bowl, Yale University

Ignore the audiophobes and get into it. Pig and Jerry both totally on. The band is exploding with energy. Overlooked show, and Dave knew it.
4
Black Peter
June 21, 1971
Chateau d'Herouville

Strong and powerful, like all the best versions of BP. Deep emotions on great pulse to this one.
3
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Great sound. Some tuning/monitor problems earlier but by this they've worked it out. Nice clean version in what turns out to be a killer show.
2
Hard to Handle
May 29, 1971
Winterland Arena

Don't pass this by because of the AUD issues. Stands up to all the top H2Hs here. The jam and energy are outrageous.

Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.