headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Not Fade Away
April 7, 1971
Boston Music Hall

The jam before is listed as a controlled mind-altering substance in 92 countries, but its cut on the archive is the cruelest thing I know.
3
Casey Jones
April 7, 1971
Boston Music Hall

Intense, driving energy. Phil belts out the chorus like his life depends on it.
3
China Cat Sunflower -> I Know You Rider
April 7, 1971
Boston Music Hall

CCS is supremely tight, with a bit of that '69 magic sound to it, and IKYR rocks. Followed by a Stephen, so maybe some nostalgia? Sounds great.
2
Hard to Handle
April 4, 1971
Manhattan Center

Great 'Bobby segment', as his solo has come to be known. Whole show overshadowed by the outrageous monster the next day, but still great fun.
3
Sugar Magnolia
March 24, 1971
Winterland Arena

Actually one god-dammned hard rockin' blast-off: Uptempo and hardcore.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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