headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

17
Scarlet Begonias
July 29, 1974
Capitol Center

Everything's perfect and beautiful in this one. Can we just say "All Scarlets from Summer '74 are epically heady", cause I don't know a bad one.
16
Playin' In The Band
July 27, 1974
Civic Center

As brilliant an example of Billy K's genius as I know on the Archive. Great meltdown, too. Put it in the same category as 02.12.73. It's that good.
8
Me and Bobby McGee
July 27, 1974
Civic Center

Starts simply enough, then around the four-minute mark just explodes into a beautiful carnival funride of musical unity and sweet sweet soul.
4
It Must Have Been The Roses
July 27, 1974
Civic Center

Very sweet and right out of a grooving MHUT. Summer '74 is chock-full of goodness, and this Roses doesn't disappoint one little bit.
15
Row Jimmy
Feb. 15, 1973
Dane County Coliseum

2nd ever, very interesting. Sounds like they're working out the feel, quite uptempo almost rocksteady (not reggae, yo) beat.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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