headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

5
Big Boss Man
April 17, 1971
Dillon Gym

Great harp work from Pigpen, who's voice was still strong and full of blues: Great crunchy jamming from the band.
3
Alligator
Nov. 11, 1967
Shrine Auditorium

With the power to blast you out of your chair. Watch your dose, it's that strong.
8
Cryptical Envelopment
Nov. 11, 1967
Shrine Auditorium

Any question's about primal Dead? Answer's right here in the outro of this psychedelic monster. A really hard core brainmelter, this.
5
Black Throated Wind
Sept. 10, 1972
Hollywood Palladium

Has it all. Builds and builds up to a great peak with Jer and Keith playing all out behind a great Bobby performance.
10
Me and Bobby McGee
Feb. 18, 1971
Capitol Theater

Maybe I'm the only Head out there who digs this song, but damn if this isn't a beauty. Tight harmonies and a good-times feeling.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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