headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

6
Might As Well
July 18, 1976
Orpheum Theater

Barnburning storm burster so strong it blows out speakers around 03:30 in. Kicks off the party with Jerry in full form, vox and guitar.
3
New Minglewood Blues
July 18, 1976
Orpheum Theater

Maybe not everyone's favorite song (or anyone's), but this is the ballsiest most swaggering one since they busted it out. Great mix helps, too.
7
Cassidy
July 18, 1976
Orpheum Theater

Note for note perfection. Cassidy was a blazing glory during this whole Summer tour.
3
Johnny B. Goode
July 17, 1976
Orpheum Theatre

Keith could play a piano just like ringing a bell. Jeez, but he just slays it here. Show this to your kid learning the keyboard, damn.
5
Mama Tried
July 17, 1976
Orpheum Theatre

It's got everything nice about the '76 sound: Crisp and clean while laid back. Perfect execution.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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