headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49682


Submissions

9
St. Stephen
June 27, 1969
Veterans Auditorium

Worth it for the stoned giggles after the cannon shot alone. Part of a great '69 show filled with rare gems.
5
Casey Jones
June 27, 1969
Veterans Auditorium

2nd ever, with a long cool intro that sounds a bit like Row Jimmy. This one's a beaut from a show full of great rarities (Slewfoot opener!).
2
Me and My Uncle
June 27, 1969
Veterans Auditorium

Slow, clear version from a beautiful show placed right between the primal psychedelia and the emerging country Dead. Check it out.
6
Turn On Your Love Light
Feb. 20, 1971
Capitol Theater

Buried under some sound quality issues is a 25 minute epic with massive jams and a dollar and quarter Pig rap for the ages.
3
Caution
Feb. 5, 1970
Fillmore West

This will chop you into tiny pieces and put you back together again. Ballsy dark Dead from a cool show.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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