headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49697


Submissions

8
He Was A Friend of Mine
June 14, 1969
Monterey Performing Arts Center

So blissful you might just find yourself floating out of time. A beautiful mellow island in a sea of blazing psychedelia. China Cat tease at the end.
3
Dark Star
Oct. 30, 1968
The Matrix

Rarity w/o Pig or Bobby, but TWO glorious Dark Star jams on this "goof" of a night. Strictly speaking not the Dead, but it's here and its glorious.
2
Turn On Your Love Light
Oct. 30, 1968
The Matrix

A rarity: No Pig or Bobby & no vocals. Still, beautifully inventive soloing shows why they kept it in rotation for so long. This "goof" is worth it.
6
Hard to Handle
April 5, 1969
Avalon Ballroom

Hot sex.
23
Death Don't Have No Mercy
Nov. 2, 1969
Family Dog at the Great Highway

So much feeling coming off an interstellar DS>StS>11 and then they just put this show to bed with brilliance and feeling.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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