headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49767


Submissions

4
Sugar Magnolia
March 21, 1973
Utica Memorial Auditorium

The sugar's sweet - but the daydream just blows everything else away with joy.
6
Brokedown Palace
March 21, 1973
Utica Memorial Auditorium

Musical and sweet with great harmonies. Brilliant show with many great, mellow versions of their '73 setlist.
11
Playin' In The Band
March 21, 1973
Utica Memorial Auditorium

Exploratory simmering energy. Phil and Jerry co-soloing on a high plane of endless inspiration. Not a barn-burner, but smooth and abstract.
4
China Cat Sunflower -> I Know You Rider
March 21, 1973
Utica Memorial Auditorium

Snazzy light and tight. China's melody is a traipsing psychadelic counterpoint, a perfect trans into Rider. Good vibes.
8
The Other One
March 19, 1973
Nassau Coliseum

Complicated rising and falling arc to the energy, but great jam. Long Truckin>TOO>Eyes in a great 2nd set. Sound quality problems though.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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