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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49777


Submissions

8
Mississippi Halfstep Uptown Toodeloo
Feb. 21, 1973
Assembly Hall, University Of Illinois

First Half Step of '73 and they get it perfect. A hidden gem in an often-overlooked show.
3
Row Jimmy
Feb. 21, 1973
Assembly Hall, University Of Illinois

From a show lost between the great greats of Feb. '73, this song shines brightly. Great for Row Jimmy fans.
20
China Cat Sunflower -> I Know You Rider
Feb. 17, 1973
St. Paul Auditorium

Seemless out of a perfect Here Comes Sunshine. Epic flow, up-tempo, great sounding and flawless jams. What more can a Head need?
4
Row Jimmy
Feb. 17, 1973
St. Paul Auditorium

A sweet, crystal clear version (3rd performance ever). Beautiful Bobby behind Jer's strong vocal, even Donna's great. Unfortunate cut around 6:00.
5
Truckin'
Feb. 17, 1973
St. Paul Auditorium

Just beautiful 2nd set opener. This show doesn't get the attention it deserves! Solid jamming.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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