headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

18
Black Throated Wind
Aug. 25, 1972
Berkeley Community Theatre

Flawless. It just leaves me breathless how good this show is.
31
Friend of the Devil
Aug. 25, 1972
Berkeley Community Theatre

Sparkles. Has an electric country sound that just crackles with energy. Perfect execution.
28
Black Peter
Aug. 25, 1972
Berkeley Community Theatre

An ultimate performance. Jerry's voice is in perfect shape. Powerful, chilling version that will make your hair stand on end. Shamefully overlooked.
16
Loser
Aug. 25, 1972
Berkeley Community Theatre

Powerful tight playing. C.Miller cleanup, boys playing the 1st set like their lives depended on it. Peak Dead.
19
He's Gone
Aug. 25, 1972
Berkeley Community Theatre

Note for note precise, beautiful playing. The outro is lovely and doesn't descend into madness. Donna gives it a nice gospel touch.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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