headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49652


Submissions

2
Stella Blue
July 16, 1972
Dillon Stadium

2nd one ever, and it seems like they're still getting it together. Nicely stripped down and clear vocals. Historically interesting.
2
Deal
July 16, 1972
Dillon Stadium

Massive enthusiasm, Jerry sings himself hoarse. Brilliant, in spite of poor AUD quality.
6
Playin' In The Band
July 16, 1972
Dillon Stadium

All the inferno-intensity of the great '72s (yeah, those ones) condensced to 14min. Only reason not here is the B- AUD quality. Don't miss it!
3
Black Throated Wind
July 16, 1972
Dillon Stadium

AUD-only supernova, not for the SBD-only folks. The band is so tight, the arc or the song just exactly perfect.
4
Cold Rain and Snow
July 16, 1972
Dillon Stadium

Listen past the saturated AUD murk and behold a masterpiece. High energy, hitting the highlights and ending on a perfect feedback whine. Great show.
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Comments

Dancin' in the Streets
Oct. 1, 1976
Market Square Arena

Weaves in and out of the 2nd set in so many different styles and states. The wheel > jam was noted, but from the first wah-wahing introduction to the fade out into GDTRFB, this is peak '76.
Help On The Way > Slipknot > Franklin's Tower
Oct. 1, 1976
Market Square Arena

What more can be said about it? It's stopped me dead in my tracks and I can't move on. I've been listening to Oct. 1, 1976 now for over a month and just find more and more in this suite every time. From the SB standalone forward this show just keeps giving.
Scarlet Begonias
Oct. 1, 1976
Market Square Arena

One of the best standalone Scarlets, and probably the very best of '76. Deserves to be much higher, and brings everything together perfectly.
New Minglewood Blues
Sept. 30, 1976
Mershon Auditorium, OSU

These '76 versions are some of my favorite NMBs out there and this one has great oomph and swagger.
Here Comes Sunshine
July 28, 1973
Grand Prix Racecourse

Starts off pretty sparse and mellow, but then watch out. Jerry weaves sweet line after line in the middle solo portion. Following the interlude something happens and it's in a totally different gear, grinding out power chords and Phil bombs. Fun stuff.
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