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Carrion_Crow

Stealth Head

+49667


Submissions

1
Bertha
Feb. 20, 1971
Capitol Theater

Still brand new. This just pops and crackles with energy. Great fun.
1
Hurts Me Too
Jan. 24, 1971
Seattle Center Arena

Deep Pig. Deep deep Pig.
1
Cold Rain and Snow
Jan. 22, 1971
Lane Community College

Not for audiophobes, cause it's like 10th-gen Maxell 120s, but every bit the '71 CR&S sound I love. Beneath the fuzz is a beauty.
9
Wharf Rat
Oct. 20, 1974
Winterland Arena

Tectonic jamming shifting out of WR back into Playin' of intricate interplay and staggering beauty.
10
Space
Oct. 19, 1974
Winterland Arena

Ripped out of future spacetime and unlike any other from the era. Sounds like they invented MIDI right on stage. Minds forever blown, I'm sure.
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Comments

Mountain Jam
July 28, 1973
Grand Prix Racecourse

Well this is just a thing of great beauty that every head should hear. It's rightly famous and legendary. We'd hear stories about this day from old heads still on the tour fifteen years later.
Playin' In The Band
Sept. 28, 1976
Onondaga County War Memorial

I don't think this PiTB stands so much on its own, but because it book-ends a hour-plus of musical brilliancy, it really adds something. The outro definitely kicks ass, though.
Eyes Of The World
Sept. 28, 1976
Onondaga County War Memorial

Anybody here heard the "Ethiopiques" series of extremely cool Ethiopian jazz and jazz-rock from the 1970s? There's some brilliant stuff there, which fits right into that feedback loop between the Dead, Miles Davis '74, and the spacey-weirdness of Blues for Allah. This Orange Tango sounds like it could fit right in with that series - and I have zero doubt that our boys were aware of that sound.
The Wheel
Sept. 28, 1976
Onondaga County War Memorial

It's almost like they rushed out of the Playin' to get to this luscious beauty of a Wheel. It's long, full of delicious jam, and sounds like a sweet dreamish ride down a smooth highway while drifting off under comfortable blankets.
Let It Grow
Sept. 28, 1976
Onondaga County War Memorial

So brilliant: I'd take this one to a desert island. Compared to the one on the 25th, this one is so much tighter at an even faster tempo. It never feels rushed, even though it's blazingly fast. Everything said about Phil on this is spot on. But listen closely to Mickey and Billy, especially around minute 08:00 and you know this is pure orchestral synchronicity. The transition into a 1st set GDTRFM is magical, plus you can pull this out for any stick-in-the-mud who complains that '76 is "too slow".
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