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Carrion_Crow

Stealth Head

+49667


Submissions

6
Brown Eyed Women
Dec. 31, 1971
Winterland Arena

Buzzing and crackling and just a wee bit manic. Early 1st set and the party is raging. Fun and wild.
20
High Time
Jan. 2, 1970
Fillmore East (Late Show)

Sublime and mysterious. A beauty.
7
Mama Tried
Jan. 2, 1970
Fillmore East (Late Show)

Perfect fun, with great organ work and the '70 sound. Pig says, "I'd thank you to not use no dirty words in the public" which cracks me up, too.
25
Caution
April 29, 1972
Musikhalle

Fast and relentless. This one has power behind it.
3
Black Peter
Dec. 29, 1969
Boston Tea Party

Deep and dark with strong emotional jams. Lots of great Peters around this time.
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Comments

Mountain Jam
July 28, 1973
Grand Prix Racecourse

Well this is just a thing of great beauty that every head should hear. It's rightly famous and legendary. We'd hear stories about this day from old heads still on the tour fifteen years later.
Playin' In The Band
Sept. 28, 1976
Onondaga County War Memorial

I don't think this PiTB stands so much on its own, but because it book-ends a hour-plus of musical brilliancy, it really adds something. The outro definitely kicks ass, though.
Eyes Of The World
Sept. 28, 1976
Onondaga County War Memorial

Anybody here heard the "Ethiopiques" series of extremely cool Ethiopian jazz and jazz-rock from the 1970s? There's some brilliant stuff there, which fits right into that feedback loop between the Dead, Miles Davis '74, and the spacey-weirdness of Blues for Allah. This Orange Tango sounds like it could fit right in with that series - and I have zero doubt that our boys were aware of that sound.
The Wheel
Sept. 28, 1976
Onondaga County War Memorial

It's almost like they rushed out of the Playin' to get to this luscious beauty of a Wheel. It's long, full of delicious jam, and sounds like a sweet dreamish ride down a smooth highway while drifting off under comfortable blankets.
Let It Grow
Sept. 28, 1976
Onondaga County War Memorial

So brilliant: I'd take this one to a desert island. Compared to the one on the 25th, this one is so much tighter at an even faster tempo. It never feels rushed, even though it's blazingly fast. Everything said about Phil on this is spot on. But listen closely to Mickey and Billy, especially around minute 08:00 and you know this is pure orchestral synchronicity. The transition into a 1st set GDTRFM is magical, plus you can pull this out for any stick-in-the-mud who complains that '76 is "too slow".
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