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Carrion_Crow

Stealth Head

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Submissions

4
Cassidy
July 16, 1976
Orpheum Theatre

Bobby's warmup after a CRS opener helps kick off one of the best 1st sets of 1976. Part of the brief era when they mic'd and mixed Donna beautifully
4
The Wheel
July 14, 1976
Orpheum Theatre

Gets right weird as part of a deep PITB sammy. How many first set spacemelts are there in '76? Something in the water for this hometown show???
3
Looks Like Rain
July 14, 1976
Orpheum Theatre

How these guys (and gal) could turn such a cheese-ball song into massive lift-off spaceship jam event horizon is a modern miracle of music.
2
The Wheel
July 12, 1976
Orpheum Theater

Smooth running, out of a very cool, thematically coherent Drums. Beautiful harmonies. Every Wheel is an elegant treat from '76, and this is a beaut.
4
Dancin' in the Streets
July 12, 1976
Orpheum Theater

On of the post-haitus ones that stretch and groove and go every-which-way. What a treat.
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Comments

Ship of Fools
April 25, 1977
Capitol Theater

Sweet treat indeed. Jerry's voice is perfectly rescued in the C.Miller upgrade, and the band is a graceful waterfall behind him.
Lazy Lightnin' -> Supplication
April 25, 1977
Capitol Theater

Nice angular sparkle to the whole jam here.
Deal
April 25, 1977
Capitol Theater

Hot streak. This and the NMB before it just come ready to party. We know in retrospect the wall-to-wall peaks from April-May '77 but can you put yourself in the scene and imagine thinking... what the fuuuuuuuuuuuuuck just happened? Weren't these guys mellow just a few months ago?
Not Fade Away
April 23, 1977
Springfield Civic Center

Kieth continues his visit from the future experimenting with synthnoise settings that could have easily been from the ten years later. Set's a cool groove with what sounds like a Moog/DX7 and Hammond Organ rig around 5 minutes in while Jerry and Bobby are slowly boiling everybody's brains for what must have been a long strange trip to round out the set.
Goin' Down The Road Feelin' Bad
April 23, 1977
Springfield Civic Center

This one really deserves its spot on the front page, even for a a song played 300 times more or less over the years. Like much of this show it seems tentative at times but of a sudden turns just colossally confident. The oomph that everyone mentions is real, and they orchestrate the highs and lows to perfection.
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