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Carrion_Crow

Stealth Head

+49667


Submissions

7
Smokestack Lightnin'
Dec. 4, 1971
Felt Forum, Madison Square Garden

Gut bucket blues. Pure danger from Blue Ron. Hard to figure why this ain't already here.
3
You Win Again
Dec. 4, 1971
Felt Forum, Madison Square Garden

Sweet little rare tune.
6
Tennessee Jed
Dec. 4, 1971
Felt Forum, Madison Square Garden

One of those versions where it sounds like every note is just the embodiment of perfection.
2
Uncle John's Band
Dec. 2, 1971
Boston Music Hall

Shredding solo over the 7/4 section and lots of dark power here, though there are some mix issues and maybe some tape speed wobble. Clean versions?
13
The Other One
Nov. 20, 1971
Pauley Pavilion

Totally overlooked: An intricate, mercurial, and explosive monster masterwork. Overshadowed by but totally different from the enormous 12/02.

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.