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Carrion_Crow

Stealth Head

+49667


Submissions

2
The Other One
Nov. 6, 1971
Harding Theater

This magnificent monster could easily be near the top for '71. The show has electrical problems in 1st set, but not here. Listen to it.
4
Sing Me Back Home
Nov. 6, 1971
Harding Theater

Show has a metallic twangy sound, to great effect here: turns this sweet tune into a hot industrial number.
3
Playin' In The Band
Nov. 6, 1971
Harding Theater

Goes into a "The Main Ten" jam at 3:05 typical of the first month or so with Keith. Plus Phil is going bananas back there.
4
Tennessee Jed
Nov. 6, 1971
Harding Theater

Jerry's bites down like an acid crocodile. Hot electric wires and sharp as a tack phrasing....
4
Sugaree
Nov. 6, 1971
Harding Theater

Listen past a few sound and static issues and you have a real beaut of a cruiser here. A solid doo-wop pulse gives it a different flavor too.a

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.