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Carrion_Crow

Stealth Head

+49667


Submissions

4
Brokedown Palace
Oct. 29, 1971
Allen Theatre

Powerful, sweet vocals and nice harmonies. Totally overlooked great 1st set on this show.
1
Playin' In The Band
Oct. 29, 1971
Allen Theatre

Keith on a what sounds like a Hammond B3 gives a mad funky vibe. Goes into the Main Ten theme and is pretty hardcore. Special early Keith version.
3
Loser
Oct. 29, 1971
Allen Theatre

Solid and grooving with a nice pulse. Keith is still brand new, but fits in beautifully.
1
El Paso
Oct. 29, 1971
Allen Theatre

Dynamite. Kicks off nicely.
5
Wharf Rat
Dec. 4, 1971
Felt Forum, Madison Square Garden

A subtle beauty with a sensitive touch that never gives up its strong pulse. An über-cool slide into Deal sneaks in but doesn't get picked up.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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