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Carrion_Crow

Stealth Head

+49667


Submissions

3
Cumberland Blues
March 18, 1971
Fox Theatre

Toe-tappin' and up-tempo with great vocals - Phil sounds amazing on the out chorus. Fun stuff!
7
Me and My Uncle
March 18, 1971
Fox Theatre

As clear and pure an example of MAMU you'll ever here.
4
Me and Bobby McGee
March 14, 1971
Camp Randall Field House

Absolutely gorgeous harmonies and a nice crisp sound.
4
Turn On Your Love Light
Feb. 24, 1971
Capitol Theater

The last 35 min of this show are just beautiful. From NFA till the end it's just smooth sailing goddamned good times Grateful Dead. Enjoy.
3
Good Lovin'
Feb. 24, 1971
Capitol Theater

No Pig rap or sonic dose of the clap like others from the era, a a glorious slow-boiling jam over 18 minutes well worth the listen.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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