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Carrion_Crow

Stealth Head

+49667


Submissions

13
The Other One
Dec. 10, 1971
Fox Theatre

An immortal. Very experimental, so many melodic fragments amongst the splintered cosmos - they pull a surprise out of the hat. Check it out.
13
Sitting on Top of the World
Dec. 10, 1971
Fox Theatre

Buried in the extraterrestrial outer reaches of an immortal TOO this emerges, brings a 'how's they do that?!' vibe then disappears back into chaos.
23
Truckin'
May 7, 1972
Bickershaw Festival

Smokin' hot show opener. The band is ultra tight and kick things off with force.
3
Black Throated Wind
Sept. 20, 1974
Palais Des Sports

Looser than 18.09.74, but more intense in its buildup and climax. Wait for it, it slow-rises then comes on like a tsunami.
14
China Doll
Sept. 18, 1974
Parc des Expositions

Sweet gossamer comedown nicely after the angular intensity of Eyes. Jerry's voice is smooth and lovely.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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