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Carrion_Crow

Stealth Head

+49707


Submissions

15
Playin' In The Band
July 18, 1972
Rossevelt Stadium

Hard-driver with intense 10/4 jamming throughout. Phil and Billy give it extra oomph. Great mix with Keith and Jer up front and clear.
4
China Cat Sunflower -> I Know You Rider
July 18, 1972
Rossevelt Stadium

One of those rare ones where China Cat plods a bit and they move into a blazing hot Rider. Great show all around, too.
19
Candyman
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Keith plays beautifully on this.
7
Brown Eyed Women
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Like with all Winter '73s the band is in excellent form. Bobby's slashing chords behind Big Jer just make this one an uptempo gem.
8
Me and Bobby McGee
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Sweet and lovely. Jerry's virtuoso fillagree behind Bobby's smooth-as-smoke vocals just slay me here.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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