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Carrion_Crow

Stealth Head

+49737


Submissions

5
Brown Eyed Women
Sept. 12, 1973
William and Mary College Hall

Sweet and melodious. Jer sings it from the heart and the band is really tight.
27
Dark Star
Sept. 11, 1973
William and Mary College Hall

Moody, mellow, then into an explosive but still sparse jam (all before the verse). Colossal Phil then blows your mind and speakers. Excellent.
3
Big River
Sept. 11, 1973
William and Mary College Hall

Very uptempo and fun with some great solos. Good energy.
10
Let It Grow
Sept. 11, 1973
William and Mary College Hall

Surpirse not to see this here yet. Martin Fierro guests on sax and the short-lived horn section sounds great. A treat with historical importance.
12
Playin' In The Band
Sept. 11, 1973
William and Mary College Hall

Ending a first set that seems more '76 than '73 (slow grooves), this one finally gets off the leash and into a great jam.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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