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Carrion_Crow

Stealth Head

+49767


Submissions

17
China Doll
April 2, 1973
Boston Garden

Delicate an gentle - coming after a twisting rocketship of an Eyes, saying, "everything will be okay folks if we can just all come down together...."
29
Me and Bobby McGee
April 2, 1973
Boston Garden

Out of a 20 min mindbent HCS this is a sweet, heartfelt chillout. Great '73 sound.
31
Playin' In The Band
April 2, 1973
Boston Garden

An extensive, long strange trip. Hot in places, then trippy and spaced out. Fast. Phil and Jerry in total unity.
20
Row Jimmy
April 2, 1973
Boston Garden

Passionate and heartfelt with beautiful ensemble vocals. Bobby's spider rap follows.
20
Playin' In The Band
March 31, 1973
War Memorial

An immense, killer set closer. This show shows all the different faces of the Dead and this Playin should have many many fans.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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