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Carrion_Crow

Stealth Head

+49652


Submissions

2
Stella Blue
July 16, 1972
Dillon Stadium

2nd one ever, and it seems like they're still getting it together. Nicely stripped down and clear vocals. Historically interesting.
2
Deal
July 16, 1972
Dillon Stadium

Massive enthusiasm, Jerry sings himself hoarse. Brilliant, in spite of poor AUD quality.
6
Playin' In The Band
July 16, 1972
Dillon Stadium

All the inferno-intensity of the great '72s (yeah, those ones) condensced to 14min. Only reason not here is the B- AUD quality. Don't miss it!
3
Black Throated Wind
July 16, 1972
Dillon Stadium

AUD-only supernova, not for the SBD-only folks. The band is so tight, the arc or the song just exactly perfect.
4
Cold Rain and Snow
July 16, 1972
Dillon Stadium

Listen past the saturated AUD murk and behold a masterpiece. High energy, hitting the highlights and ending on a perfect feedback whine. Great show.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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