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Carrion_Crow

Stealth Head

+49667


Submissions

2
El Paso
July 14, 1970
Euphoria Ballroom

Very mellow cowboy ballad, like the great Nov. 8th '70 above. Check 'er out. They were experimenting with it here.
3
Black Peter
July 14, 1970
Euphoria Ballroom

Beautiful acoustic version. The whole first set is one exquisite jewel after another.
3
Dark Hollow
July 14, 1970
Euphoria Ballroom

After some rowdy banter the good old GD pull out a magical beauty here. Acoustic fans shouldn't overlook this one!
6
Friend of the Devil
July 14, 1970
Euphoria Ballroom

Pretty unknown show, but this FoTD is just perfect. Some sound issues around the edges, but here Jer's voice is angelic and sweet.
2
Cold Rain and Snow
July 12, 1970
Fillmore East

One of the under-appreciated masterpieces of the Dead canon, this one stretches out nicely. Mellow, but adventurous. Love this one.

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.