headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

7
St. Stephen
March 21, 1970
Capitol Theater

Totally overlooked. One of the prettiest mid-sections I know of, even if there isn't much of a jam section to it.
8
Deep Elem Blues
March 21, 1970
Capitol Theater

Imagine how blown away the freaks were, expecting 'Alligator' and getting this stunning intro into the country Dead.
8
Friend of the Devil
March 21, 1970
Capitol Theater

Really boys? Take the red pill and go back in time to this rowdy show. 2nd ever and Jer nails it after telling the crowd to "shut the fuck up".
7
Casey Jones
March 21, 1970
Capitol Theater

Plugged in and slashingly ("thwok! thwok! thwok! thwok")! energetic opener for a rowdy crowd.
2
Deep Elem Blues
March 20, 1970
Capitol Theater

Deep sounds from a pivotal moment in Dead History. A treat for AUD lovers.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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