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Carrion_Crow

Stealth Head

+49667


Submissions

8
High Time
Feb. 23, 1970
The Auditorium

Bliss. Feb. '70 is full of peak Dead. This doesn't disappoint.
5
Katie Mae
Feb. 14, 1970
Fillmore East

As beautiful as they come.
10
The Eleven
Feb. 14, 1970
Fillmore East

Why not here yet? This show has it all, and this Eleven just slays it. Balls out, high-energy jams from everyone.
3
Not Fade Away
Feb. 12, 1970
Ungano's Night Club

Like the night before, this just blazes with crackling electric fire. Great mix and channel separation with Bobby nice and clear helps. Overlooked.
5
St. Stephen
Feb. 12, 1970
Ungano's Night Club

Crisp recording with nicely mixed Bobby on separate channel = rare treat in this tight Stephen. Great show.
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Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.
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