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Carrion_Crow

Stealth Head

+49667


Submissions

4
Hard to Handle
Feb. 12, 1970
Ungano's Night Club

Date overshadowed by the next night and ambiguous provenance - but don't skip it. Bobby's high in the mix with rare balance and a great jam.
3
Beat it on Down The Line
Feb. 12, 1970
Ungano's Night Club

Has that blistering surf punk energy that the best early BIODTLs have. Whole show rocks, even if it may not have ever existed.
4
Cold Rain and Snow
Feb. 11, 1970
Fillmore East

Less known than the immortal Feb. 13 show, but every bit as good. They are so dailed in, just exactly perfect.
4
Casey Jones
Feb. 11, 1970
Fillmore East

Exuberent and crisp with pumped up energy... Hmmmm?
9
Turn On Your Love Light
Feb. 8, 1970
Fillmore West

Pig was responsible for a whole lotta new babies after this one. Turns it over and gives the ladies some instruction to go out and get it. Nice.

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.