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Carrion_Crow

Stealth Head

+49667


Submissions

3
Turn On Your Love Light
Jan. 10, 1970
Community Concourse

Wait a minute! Hard to figure how this one hasn't been posted yet. Very solid all 'round performance by all.
3
Cold Rain and Snow
Jan. 10, 1970
Community Concourse

Clear, pure, and beeyootiful. The boys' voices are on, the sound well mixed, and all is well.
5
Hard to Handle
Jan. 10, 1970
Community Concourse

Tight, sweet version. Doesn't have the inferno element from some at the top, but a strong one nevertheless.
4
Wharf Rat
June 20, 1987
Greek Theater

Comes in super sweetly after a short and scary TOO, like feather whispers needed to get the mind back in the body. Good trip guiding, really.
3
The Other One
June 20, 1987
Greek Theater

Bobby's Satan's-goina-getchya vocals add to the wild speedy visciousness of this monster.

Comments

Playin' In The Band
Aug. 2, 1976
Colt Park

Definitely a weird one, the meltdown is long and heavy, even a bit aggressive - maybe the weirdest one of the year not known for acid meltdowns. This isn't a first-time, convince your friend about the dead kind of Playin', unless your friend is into Trout Mask Replica and free jazz, and all that. The transition into Wharf Rat, is all the more amazing for it, out of wild abstraction they come in fast, landing on one of the more literal, prosaic (in the good sense) and story-telling songs in their oeuvre.
Lazy Lightnin' -> Supplication
Aug. 2, 1976
Colt Park

Jerry reaches terminal velocity. The band is absolutely shredding, reaches Colemanesque harmolodic polyrythms at on point right before the Supplication re-entry.
Looks Like Rain
Aug. 2, 1976
Colt Park

The only reason this isn't much higher is that we don't have a SBD for it. Check it out, everything Glynn said here was right on.
The Music Never Stopped
July 18, 1976
Orpheum Theater

Absolute stunner. There isn't a dud in this whole first set.
Scarlet Begonias
July 18, 1976
Orpheum Theater

How have I gone this long in life without hearing this? Goddamn, this is perfect. I love how they take it down to almost zero, (some Heads probably thought, "hey, man, are they stopping?") before slowly building it back up into a long exploration of theme and rhythm make it such a danceable and beautiful homage to sudden inspiration and love. The Ferguson SBD has a great mix, especially for an old Philzone freak like me.