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Carrion_Crow

Stealth Head

+49652


Submissions

4
Mister Charlie
March 21, 1972
Academy of Music

Part of a great first set, the band is on fire, and Pigpen in great form. Tight rocker.
4
Loser
March 21, 1972
Academy of Music

Cracklin' and snappy version. The band is über tight and having fun.
3
Greatest Story Ever Told
March 21, 1972
Academy of Music

Bobby blows a gasket on this one. Raw and powerful, showing exactly where they were headed before Europe. High energy rocker.
4
Playin' In The Band
March 21, 1972
Academy of Music

I'd argue this was the first Playin' as we came to know it after the end of the "Main Ten" and "country warbler" versions from '71.
2
Casey Jones
March 5, 1972
Winterland Arena

After a pretty sloppy 1st set, they charge up and nail this one. Phil goes bananas on the out chorus.

Comments

Comes A Time
July 17, 1976
Orpheum Theatre

Listening again (and again and again) to that gentle lilting jam, and I'm more convinced now that you could describe it as a long teasing intro into the TOO that they finally reach after drums. It isn't TOO in the power-acid rollercoaster cannon shot, but right around 07:30 Keith switches up the chord changes and the drums switch from 12/8 feel (regular triplets over the 4/4 of the main melody) into a clear 6/8 (the meter of TOO). Jerry picks it up right away and turns his flutter of a butterfly wing solo into a rock waltz. By 09:40 Phil and Bobby are pushing it into uncharted territory (it almost sounds like the stuff Joni Mitchell would do with Jaco Pastorius starting the same year) but somehow TOO is already in the air, gently, touched by that beautiful '76 understatement. It's only in the last few seconds before Drums that they spell it out completely. What beauty!
Samson and Delilah
July 17, 1976
Orpheum Theatre

Soloing is brilliant, and the jam almost lifts off into the Dancing in the Streets territory of the era.
Sugaree
July 17, 1976
Orpheum Theatre

Wasn't too convinced at first by this one. It drags a bit during the first minutes, but then, oh lord, hold on tight because you're about to lose your face. Kicks up around 06:30 min in.
Mississippi Halfstep Uptown Toodeloo
July 17, 1976
Orpheum Theatre

Real love here between Jerry and Keith. Different mixes to chose from, but I'm enjoying the Tetzeli Soundboard. Bobby's a bit lost, but otherwise great separation and a clear sound. Keith is clear and glorious.
King Solomon's Marbles
July 16, 1976
Orpheum Theatre

Not a KSM. A very cool jam indeed, but doesn't have the melody, structure, meter, polyrhythms or form of KSM. There are arguably thematic riffs in common, but if I had to say, I'd say this is erroneously marked.