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Carrion_Crow

Stealth Head

+49712


Submissions

15
Jack Straw
Oct. 22, 1971
Auditorium Theatre

Some of the sweetest group vocal harmonies ever. How is this show not more highly rated?
16
Tennessee Jed
Oct. 22, 1971
Auditorium Theatre

Way up-tempo and crisp and groovy. This was Keith's first run of shows and their's popping creative energy throughout.
11
Me and My Uncle
Oct. 22, 1971
Auditorium Theatre

Bobby's voice sounds beautiful, one of his clearest, nicest vocal performances of this one.
7
Jack Straw
Oct. 30, 1973
Kiel Auditorium

Right about here a damn good show becomes an outrageously amazing show.
12
Wharf Rat
Oct. 29, 1973
Kiel Auditorium

Exploratory and energetic, coming in the heart of an hour-long jam. Great musicality and clear communication between the boys here.
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Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
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