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Carrion_Crow

Stealth Head

+49652


Submissions

3
Black Throated Wind
July 21, 1972
Paramount Northwest Theater

Get past murk with good headphones and you find a gem: Bobby's vox perfect, the arc powerful, Jer and Keith possessed.
2
Mississippi Halfstep Uptown Toodeloo
July 18, 1972
Rossevelt Stadium

Uptempo, and with a hard swagger, with a beaut of a Rio section. 2nd ever, sounds like they're still settling on the vibe.
1
Black Throated Wind
July 18, 1972
Rossevelt Stadium

Solid, emotional version. Bobby was on.
10
Goin' Down The Road Feelin' Bad
May 25, 1972
Strand Lyceum

From blisteringly hot, into a sweet-and-light outro > OMSN, turning on a dime. Great fun.
4
Chinatown Shuffle
May 25, 1972
Strand Lyceum

Rip-roarin' version. The 2nd set perks up quite a bit after a sleepy 1st. Pig was still on.

Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.