headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

2
You Win Again
March 23, 1972
Academy of Music

Sounds like it could have been a top 40 CW chart topper. Something clean and pure about it - maybe one drummer helps on this tune.
5
China Cat Sunflower -> I Know You Rider
March 23, 1972
Academy of Music

Crystal clear sound and tight show opener in this hot hot pre-Europe run. The vocals are on and the transition rocks.
1
Sugaree
March 22, 1972
Academy of Music

Super-strengthed version with a solid, driving pulse. They took their vitamins this day: The whole show's has that bursting-at-seams energy.
2
Casey Jones
March 22, 1972
Academy of Music

Insane explosive blowout for the set-closer. Caps an excellent first set with extraordinary energy.
1
Jack Straw
March 22, 1972
Academy of Music

Perfect.
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Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
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