headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49652


Submissions

1
Me and Bobby McGee
March 22, 1972
Academy of Music

Billy's high in the mix, and he drives. A perfect snapshot, with Bobby's sweet young voice in perfect form and a solid driven pulse throughout.
3
Mister Charlie
March 22, 1972
Academy of Music

High-voltage and up tempo shuffle. Great sounding C. Miller cleanup.
3
Goin' Down The Road Feelin' Bad
March 21, 1972
Academy of Music

They push the energy up and up and up. Special transition into OMSN. An all-round high voltage jamming show. Underrated.
5
Big Railroad Blues
March 21, 1972
Academy of Music

High energy, shitkickingly good. The energy in this is off the charts.
2
Good Lovin'
March 21, 1972
Academy of Music

Pig on a ferocious rampage, the band sizzling hot behind him, and all this in the first set. This show deserves more love.

Comments

Cassidy
July 16, 1976
Orpheum Theatre

Thanks Darkstar67, you can alwaysI trust a Miller source. I'm giving this set another day's listening. This has got to be one of the best hidden 'off the beaten path' extended 2nd set jams ever, with over an hour from Playin' all the way to Around and Around continuous.
The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.